Anne trained in composition at the Guildhall School of Music and Drama, and went on to study with the support of an Astor study award at the Royal College of Music, where she obtained a Masters in composition for screen in 2007.
Anne recently composed the score for Amma Asante's feature film Where Hands Touch, (TIFF 2018). Past projects include the music for Mark Weeden's feature film Only People (2018), Sofian Khan's Do We Belong (The Atlantic Selects 2018) and An Act of Worship, (Field of Vision 2017), as well as the Emmy & Golden Globes nominated Derek (dir. Ricky Gervais, Netflix / C4).
As well music for TV and Film Anne has composer contemporary operas. Her third opera 'Pygmalion 2.0' has been developed with the support of the PRS foundation (Women Make Music), and is currently previewing in the UK. Her second opera, The Looking Screen, was performed extensively both throughout the UK and internationally, as well as broadcast on UK TV and radio. Her first operatic venture was an operatic version of the hit series The Office - which sold out its initial run at Proud Galleries, and was featured by Ricky Gervais and Stephen Merchant in their 2009 Comic Relief sketch.